When you add chords to a song, the keyboard also allows you
to have a bass and drum accompaniment at the same time. Chords are
indicated by chord symbols, which are written above notations of a
song in next pages of lesson.
1. Set up
the one-finger chord function on your keyboard.
2. Select
a rock, disco, or march beat from the rhythm section.
3. Find
the switch called synchro/start (e.g Yamaha keyboards), or synchro (e.g
Casio, Technics, Roland and Kawai) and press it.

4. Press the C chord key and release it immediately. Your keyboard
will begin playing a C chord with bass and drum accompaniment, and
continue playing until you press another key, or the stop button. Look
in your owners manual if you need more help to use this feature. Press
the C key once for playing C chord continuously. You can also play C
major chord by pressing together the three keys C, E, G by left hand
with finger number 5,3,1. Or play C major chord with right hand fingers
1,3,5.
In single finger mode you can play any major chord by just pressing the
key in the chord area with the same name. Adding a black key on the left
of this key will make it a minor chord and an extra white key on the
left will make it a 7th chord. If you just began learning to play
keyboard I would strongly advise against choosing this mode. It might
seem the easiest way, but if you learn to play the basic major and minor
chords with three fingers then you will also be able to play your music
on keyboards without auto accompaniment (like a piano).
Full keyboard mode is mainly intended for MIDI players but you can also
use this to play keyboard. There is no distinction between chord area
and melody area. Any note that is played will be regarded as both a
chord and a melody note. In this mode only basic major and minor chords
are recognized. Because all notes are regarded as chord and melody
notes, you can't use notes to switch variations. Use either the PC
keyboard for that or use pedals that produce controller or patch( voice)
messages.
If you use this mode with a keyboard then you should make some
adjustments to your playing style to prevent that melody notes lead to
unintended chords. If you press a chord that is recognized then (while
you keep it pressed) it will not change when extra notes are pressed
(for the melody). If you release the chord keys to make rhythmic moves,
then try to avoid pressing more then two keys at a time until the chord
keys are pressed again.
SONGS WITH CHORDS
Before playing songs with chords, practice each part separately.
First practice the melody of the song by itself (right hand part), then
practice the chords by themselves (left hand part). Once you have
learnt both parts, play them together. Before you play, adjust the
tempo to a comfortable speed. To do this, press the start button,
and the drums will play by themselves. If the drums are too fast, slow
the speed down by adjusting the tempo control. You can
increase the speed as you become more confident playing the song.
If you are playing along with the recording, play only the right
hand part. For playing single key function for a chord use
auto-accompaniment section of keyboard.
ENDING
Most electronic keyboards have a control
which can automatically add and ending to a song you are playing.
Press the ending button when you have finished playing a song. You
can, however, use any voice or rhythm that you think suits the song.
Exercises for fingering practice:
In these exercises your fingers will be able to play smoothly and you
will be able to learn my notation technique. With this technique you
will learn where to give silence or rest while playing. You will
use proper finger numbers for specific keys.

LOW SOUNDS
HIGH SOUNDS
On the keyboard, DOWN is to the LEFT, and UP is to the RIGHT.
As you move LEFT, the tones sound LOWER. As you move RIGHT, the tones
sound HIGHER.
On the keyboard, DOWN is to the LEFT, and UP is to the RIGHT.
As you move LEFT, the tones sound LOWER. As you move RIGHT, the tones
sound HIGHER.

Name That Key:
Piano keys are named for first seven letters of the alphabet, beginning
with A.
A B C D
E F G A
B
Keyboard keys are named for seven letters of the alphabet, beginning
with C.
C D
E F G A
B C D
Each white key is recognized by its position in or next to a
black-key group! For example: A's are found between the TOP TWO
KEYS of each 3-BLACK-KEY GROUP. Play the following. Use LH
3 for keys below the middle of the keyboard. Use RH 3 for keys
above the middle of the keyboard. Say the name of each key aloud
as you play

You can now name every white key on your piano. The key names
are C D E F G A B and C, used over and over again. The keys of Piano
start from A note. But it make no difference.
Play and name every white key beginning with bottom A.
Use LH3 for keys below middle C, and RH 3 for keys above middle C.
Low Sounds
On the
keyboard, DOWN is to the LEFT, and UP is to the Right. As you move
LEFT, the tones sound LOWER. As you move RIGHT, the tones sound HIGHER.
Right Hand C Position
Place the RH on the keyboard so that the 1st FINGER falls on
MIDDLE C. Let the remaining 4 fingers fall naturally on the next 4
white keys. Keep the fingers curved and relaxed.
The names of 5 keys are ALPHABETICAL ORDER:
C D E F G
Right Hand Warm-Up
Play the
following WARM-UP. Say the name of each note aloud as you play.
Repeat until you can play smoothly and evenly. As the notes go higher on
the keyboard they are written higher in the notation below. Higher means
play from left to right side.
Note:
Right hand RH fingering or finger numbers is shown above the
notations. Warming up fingering practice is very important
for playing smoothly and fast.. Practice for 15 minutes for
some days the below given lesson.
Left Hand Warm-Up
Place the
LH on the keyboard so that the 5th FINGER falls on the C BELOW (to
the left of) MIDDLE C. Let the remaining fingers fall naturally on
the next 4 white keys. Keep the fingers curved and relaxed.

Play the
following WARM-UP. Say the name of each note aloud as you play.
Repeat until you can play smoothly and evenly. *Finger
numbers are shown below the notations.

Middle C Position
The
MIDDLE C POSITION used notes you already know! RH is in C POSITION.
Both thumbs are now on Middle C.

The Four Four Time Signature
Four four time signature tells
that there are four beats in one measure. Play slowly and evenly,
counting a, 2, 3, 4 as you play. Each count is equal to one second and
one measure is equal to four seconds.
Play and
say the notes names. Do this several times! First play left hand
ascending and descending then play RH ascending descending. This
practice exercise is very important.
Note for Player:- Click play button and let the
music to fully download. After fully download you can listen
complete music smoothly. To listen again press play button
again.
Exercise 1
Middle C Note (Suggested voice: PIANO)

Play
eight Middle C notes. Count aloud as you play. Use the thumb of
your right hand. On the recording there are four drumbeats to introduce
this exercise. Music is divided into bars (or measures) by bar lines. In
this exercise there are two bars of music. Where measure 1 is bar
one and measure 2 is bar 2.
Exercise 2 (Suggested voice:
PIANO)

Here are
four bars of Middle C in 4/4 time. Play slowly and evenly, counting as
you play. On the recording there are four drumbeats to introduce
exercises and songs in 4/4 time.
:│ Two dots in the end are called
a repeat sign. They mean that you play the exercise again from the
start.
The D note
Exercise 3
(Suggested voice
Clarinet)
Play the
D note with second finger of your right hand.

Exercise 4 (Suggested voice: BRASS
ENSEMBLE)

The Half Note
This is a
half note. It lasts for two beats. There are only two half notes
in one bar OR measure of 4/4 time signature.
Exercise 5 (Suggested Voice
Jazz Organ)

This exercise contains four bars of half notes using C and D.
The big number 1 and 3 indicate that you play the note. The
small number 2 and 4 tell you to hold until the next note.
Hold also means no sound of keys.
This exercise contains four measures of half notes using C
and D. There are only two half notes in one measure of
4/4 time.
Exercise 6 (Suggested Voice Trumpet)

Exercises
6 and 7 use a mixture of half and quarter notes. Because of the
4/4 time signature, there must be a total of four beats in each measure.
Exercise 7
(Suggested Voice Flute)

Note: Please repeat above
seven exercises several times.