
For centuries, most Western music has been based
on major and minor scales. That is one of the things that make
it instantly recognizable as Western music. Most of the music of
Eastern Asia is based upon thaat and ragas. A scale is a list of
all the notes that begins with a specific key. Major scales all
follow the same interval pattern. The simple, sing-along,
nursery rhymes and folk songs we learn as children, the
cheerful, toe-tapping pop and rock we dance to or Qomi Tarana,
Pak Ser Zameen: Most music in a major key has a bright sound
that people often describe as cheerful, inspiring, exciting, or
just plain fun. In C Major Scale you may play the song "ik pyar
kaa nagma hai". It consists all the white keys from any starting
C to the next. C. Music in a particular key tends to use only
some of the many possible notes available; these notes are
listed in the scale associated with that key. The notes that a
major key uses tend to build "bright"-sounding major chords.
They also give a strong feeling of having a tonal center, a note
or chord that feels like "home" in that key. The
"bright"-sounding major chords and the strong feeling of
tonality are what give major keys their pleasant moods. In this
lesson we will learn all about the major scale. Although we will
use a keyboard, the lesson should be of use to anyone who wants
to learn about one of the most important and useful scales in
music.
In a
keyboard you will see the familiar repeating pattern of notes.
Starting from one C and moving upwards to the next produces the
notes: C D E F G A B C
Learn all the note names on a keyboard. The white key to the
left of two black keys is always a C, now moving to the next
white keys on the right we have D - E - F - G - A - B then back
to C again. These note names just keep repeating. The name of
the black keys (and some white keys as well) varies depending on
whether it's a sharp or a flat. For example, the black key next
to C may either be a C# or a Db. If you've played these C D E F
G A B C notes on your keyboard - you've just played a
Major Scale. This is the scale known as C Major. C Major is the
most common scale in all Western music and there are eight notes
in C Major scale. To simplify, you can memorize this formula to
form a major scale:
Major Scale = whole step - whole step - half step - whole step -
whole step - whole step - half step or w - w - h - w - w - w
– h Or we can write
whole whole half whole whole whole half
step step step step step step step
1 to 2 to 3 to 4 to 5 to 6 to 7 to 8
Now, assign numbers to each note of a major scale, always assign
number one to the root note. For example, in the C major scale
the root note is C with number 1 and other numbers will be
assigned as follows:
C = 1
D = 2
E = 3
F = 4
G = 5
A = 6
B = 7
C = 8
So, based upon this sequence a C major scale
would be comprised of the following tones: C, D, E, F, G, A, B,
C (in a single octave).
Understanding Tones and Semitones
To understand how to find other major scales we need to look
more closely at the construction of our C Major Scale. Have a
look at the keyboard again. By adding in the black notes, we can
see that there are actually 12 notes between one C and the next.
The distance from one of these 12 to its neighbor is known as a
semitone. If you have a keyboard, try playing up the keyboard
from one C to the next, playing all 12 notes.
Notice how some notes of the C major scale have another note in
between them (eg. from C to D there is a black note in between),
whereas some don't (e.g. from E to F). The gap from C to D
consists of two semitones, and is known as a tone. This
pattern of tones and semitones is how the scale gets its
particular colour. The major scale is formed out of the
following mixture of tones and semitones or we can say a major
scale consists of 7 different notes. The intervals from note to
note of the major scale in any key are:
tone - tone
- semitone - tone - tone - tone - semitone
Finding other major scales in desi style.
To find any other major scale, you simply repeat the pattern of
tones and semitones, starting from the note in question.
For example, let's try D major Scale which is: D E F# A B C#
|
1 |
First note
|
D
|
|
2 |
Tone higher:
|
E
|
|
3 |
Tone higher:
|
F#
|
|
4 |
Semitone higher:
|
G
|
|
5 |
Tone higher:
|
A
|
|
6 |
Tone higher:
|
B
|
|
7 |
Tone higher:
|
C#
|
|
8 |
Semitone higher:
|
D
|
(Just in case you're not clear, F# indicates the black note
immediately above the F)
Many students of keyboards dread scales. But without the
knowledge of scales, you will never be able to create your
original melodies. Scales teach you correct fingering patterns.
Practice each hand separately, before attempting to play both
hands! The fingering for the RH is: ascending 1 2 3 1 2 3
4 5 and descending 5 4 3 2 1 3 2 1. As you ascend, tuck your
thumb under your third finger and complete the scale using
finger numbers 1 2 3 4 5. When you descend, cross your third
finger over your thumb and complete the scale using finger
numbers 3 2 1. LH fingering: ascending 5 4 3 2 1 3 2 1 and
descending 1 2 3 1 2 3 4 5. The same instructions apply
regarding tucking the thumb under the second finger when
descending and crossing the third finger over the thumb when
ascending.
Throughout your study of the keyboard, especially when you are
learning new music, or an exercise, it is important that you
practice each hand separately at first. Once your finger muscles
have memorized the movement (s) you may then practice with both
hands. But remember to practice slowly at first. How can you
run, if you can’t walk?
Getting Use to Keyboard
Finger Movements:
Place your right hand on a tabletop or your thigh. Slowly, tap
each finger, starting with your thumb and proceed with fingers
2-5. (I.e. 1-2-3-4-5, 1-2-3-4-5 etc.)
Repeat this at least ten times. Raise your fingers very high.
Now practice starting with your 5th finger
and proceed with fingers 4-1. (i.e. 5-4-3-2-1, 5-4-3-2-1
etc.) Have you noticed that when you’re tapping fingers 1-5,
you are moving up; and on the other hand when you are
tapping fingers 5-1, you are moving down. These 5-finger
movements are needed to play the keyboard well. Now here’s
where the fun begins! Repeat the instructions above using
your left hand. That’s right. If you are “right-handed”,
your left hand is naturally weaker than your right. So,
remember, a keyboardist is only as good as his weaker hand.
Therefore, you must spend more practice-time using the
weaker hand/fingers