In a keyboard you will see the familiar repeating pattern of notes. Starting from one C and moving upwards to the
next produces the notes: C D E F G A B C
Learn all the note names on a keyboard. The white key to the left of two black keys is always a C, now moving to the next white keys on the right we have D - E - F - G - A - B then back to C again.
These note names just keep repeating. The name of the black keys (and some white keys as well) varies depending on whether it's a sharp or a flat. For example, the black key next to C may either be a
C# or a Db. If you've played these C D E F G A B C notes on your keyboard - you've just played a Major Scale. This is the scale known as C Major. C Major is the most common scale in all Western music
and there are eight notes in C Major scale. To simplify, you can memorize this formula to form a major scale:
Major Scale = whole step - whole step - half step - whole step -
whole step - whole step - half step or w - w - h - w - w - w – h Or we can write
C = 1
D = 2
E = 3
F = 4
G = 5
A = 6
B = 7
C = 8
So, based upon this sequence a C major scale would be comprised of the following tones: C, D, E, F, G, A, B, C (in a single octave).
Understanding Tones and Semitones
To understand how to find other
major scales we need to look more closely at the construction of our C Major Scale. Have a look at the keyboard again. By adding in the black notes, we can see that there are actually 12 notes between one
C and the next. The distance from one of these 12 to its neighbor is known as a semitone. If you have a keyboard, try playing up the keyboard from one C to the next, playing all 12 notes.
Notice how some notes of the C major scale have another note in between them (eg. from C to D there is a black note in between), whereas some don't (e.g. from E to F). The gap from C to D consists of two
semitones, and is known as a tone. This pattern of tones and semitones is how the scale gets its particular colour. The major scale is formed out of the following mixture of tones and semitones or we can
say a major scale consists of 7 different notes. The intervals from note to note of the major scale in any key are:
tone - tone - semitone - tone - tone - tone - semitone
Finding other major scales in desi style.
To find any other major scale, you simply repeat the pattern of tones and semitones, starting from the note in question.
For example, let's try D major Scale which is: D E F# A B C#
|
1 |
First note
|
D
|
|
2 |
Tone higher:
|
E
|
|
3 |
Tone higher:
|
F#
|
|
4 |
Semitone higher:
|
G
|
|
5 |
Tone higher:
|
A
|
|
6 |
Tone higher:
|
B
|
|
7 |
Tone higher:
|
C#
|
|
8 |
Semitone higher:
|
D
|
(Just in case you're not clear, F# indicates the black note
immediately above the F)
Many students of keyboards dread scales. But without the
knowledge of scales, you will never be able to create your original melodies. Scales teach you correct fingering patterns.
Practice each hand separately, before attempting to play both
hands! The fingering for the RH is: ascending 1 2 3 1 2 3 4 5 and descending 5 4 3 2 1 3 2 1. As you ascend, tuck your thumb under your third finger and complete the scale using finger numbers 1 2 3
4 5. When you descend, cross your third finger over your thumb and complete the scale using finger numbers 3 2 1. LH fingering: ascending 5 4 3 2 1 3 2 1 and descending 1 2 3 1 2 3 4 5. The same
instructions apply regarding tucking the thumb under the second finger when descending and crossing the third finger over the thumb when ascending.
Throughout your study of the keyboard, especially when you are
learning new music, or an exercise, it is important that you practice each hand separately at first. Once your finger muscles have memorized the movement (s) you may then practice with both hands. But
remember to practice slowly at first. How can you run, if you can’t walk?
Getting Use to Keyboard Finger Movements:
Place your right hand on a tabletop or your thigh. Slowly, tap each finger, starting with your thumb and proceed
with fingers 2-5. (I.e. 1-2-3-4-5, 1-2-3-4-5 etc.)
Repeat this at least ten times. Raise your fingers very high.
Now practice starting with your 5th finger and proceed with fingers 4-1. (i.e. 5-4-3-2-1, 5-4-3-2-1 etc.) Have you noticed that when you’re tapping fingers 1-5, you are moving up; and
on the other hand when you are tapping fingers 5-1, you are moving down. These 5-finger movements are needed to play the keyboard well. Now here’s where the fun begins! Repeat the instructions above
using your left hand. That’s right. If you are “right-handed”, your left hand is naturally weaker than your right. So, remember, a keyboardist is only as good as his weaker hand. Therefore, you must
spend more practice-time using the weaker hand/fingers